Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville

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David S. Using the products of popular culture between and more comprehensively than do other Renaissance scholars, Reynolds tries to fix our "classic" texts e. He focuses especially on the various reform literatures, new religious evangelical style, and flood of popular fiction, arguing that our major writers were able to absorb the style, themes, and genres of these sub-literary materials without sacrificing aesthetic control.


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Though he tends to overstate specific influences and embraces too mechanical a model for the creative process, his argument and impressive display of materials make for a significant contribution to American studies. Earl Rovit, City Coll. Convert currency. Add to Basket. Compare all 6 new copies. Book Description Alfred A. Condition: New.


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    With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing.

    Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.

    Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville

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